We didn’t realise how hungry we were until we sat down for lunch that afternoon. It was well past lunch hours by all standards, and we were famished but nobody was complaining. The extraordinary Belur Temple had captured our senses and we had lost all sense of time. After a hearty South-Indian meal, we proceeded towards Halebidu, our next destination for the day. Visiting these magnificent temples was part of our impromptu road-trip to Hassan district of Karnataka.
Click here to read about Belur Click here to read about the road-trip
Halebidu (also spelt as Halebeedu) is a short drive away from Belur, located at just 16 Km. The drive though short was lovely as it passed through villages with green fields lined with coconut trees. The well-paved road was perfect for our post-lunch drive. We were headed to Hoysaleswara Temple, which is the most important place to visit at Halebidu. Hoysala Palace and Kedareswara temple are the other places of significance at Halebidu, which we would not be able to cover as we were already running late.
In ancient times, Halebidu was known as Dwarasamudra, which is also the name of the huge man-made lake situated beside the temple. King Vishnuvardhana of the Hoysala Dynasty had established Dwarasamudra as the capital city of Hoysala Dynasty. Before that Belur used to be the capital.
Hoysaleswara Temple was built during the reign of King Vishnuvardhana in the 12th century, over a period of 30 years. It was built before Belur Temple. Built of soapstone and without the use of any binding material, the architecture of both the temples is similar. The truly ornate and rich sculptural details both on the outside as well as inside is beyond imagination. Both the temples are beyond comparison and each one better than the other.
Both the temples are functional. While Belur Temple is dedicated to Lord Vishnu, Hoysaleswara Temple is dedicated to Lord Shiva. It has two Shiva Lingas – Hoysaleswara and Santaleswara. The former is dedicated to King Vishnuvardhana and the latter to his Queen, Shantala Devi. The soothing calmness of the temple interior was elevating, and I found myself transfixed for a while staring at the Shiva Linga right in front of me.
The intricately detailed outer façade of the temple is spectacular, with unique sculptures that run all along the outer wall. Imagery from the epics of Ramayana, Mahabharata and Bhagavad Gita adorn the outer walls with highly ornate temple doorways. The Gods, Goddesses, sages, musicians, animals and birds tell tales depicting the life of Hoysala times.
It’s baffling to think about the diligence and patience of the artisans and sculptors of the bygone era. Today it’s unfathomable to imagine the creation of such exquisite architectural marvel, that too working through 30 long years dedicating one’s entire life to a single piece of art.
There are several sculptures of Lord Shiva and his consort Goddess Parvati on the outer wall, each one different from the other. A large dancing image of Lord Ganesha is situated at one of the two temple entrances. Two Nandimantapas, each with a huge Nandi richly decorated with carved out stone ornaments are positioned right opposite the two Shiva Lingas.
I’ve mentioned this before and will not hesitate to say once again that the magnificence of Hoysala temples is something to be felt and experienced. It appeals to the senses and words fall short to describe their grandeur.
Click here to read about Somnathpur Temple (one of the three famous Hoysala Temples)